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Tobias Hutzler is a renowned photographer, director and visual artist known for his consistently unique transformations of light and space.
During his career he has taught at some of the most prestigious universities in Europe, the UK and the USA. He received his M.F.A. in the USA and received a Fulbright Fellowship as well as grants from the DAAD and the European Union.
Companies such as Mercedes-Benz, Toyota, Johns Hopkins and Aston Martin gave him the task of reinterpreting the future of technology and mobility in a visionary way. In his editorials for TIME and New York Times Magazine he has reported on celebrities from music, film and politics, such as the US President, Pope Francis, internationally known artists and the US presidential race.
In addition to many international awards, he was named one of PDN's (Photo District News) 30 Outstanding Photographers to Watch. "His images are both coherent and full of surprises." wrote legendary cinematographer Elisabeth Biondi about Hutzler's work.
„Die Visualisierung der Zukunft ist eine Reise durch das Terrain des Fragens wobei sich mehr der Kompass als die Karte, für das geeignete Hilfsmittel unter Beweis stellt.“ Tobias` Ansatz ist es, Realitäten zu übersetzen und Wirklichkeiten zu verdichten, über das Erwartete hinauszugehen, sich zu lösen und die wahre Natur des Moments zu zeigen. Das bedeutet, einen Schritt zurückzutreten und vor Allem Fragen zu stellen, anstatt Antworten zu geben. Wie kann man technologische Errungenschaften und daraus resultierende Vorteile für den Menschen visuell kommunizieren und gleichzeitig mit natürlichen Kreisläufen harmonieren?
His work was shown at MoMA (Museum of Modern Art New York), Tokyo National Museum, Smithsonian, Annenberg Space for Photography (Los Angeles) and in the National Portrait Gallery (London).
His work appears regularly in many international publications such as The New York Times Magazine, The New Yorker, New York Magazine, TIME, Wired oder Vogue and has been called "one of the most exciting new artists working in photography" by AD Magazine.
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